A research project revisiting Allan Sekula's 'Tsukiji' [2001], shot at the fish market's new location, Toyosu, following its closure in 2018.

Enclosed by various perforated screens that recall infrastructures of control—passthru places the viewer in a space of mediation where access, visibility, and authority are negotiated. In doing so, the work challenges the implied freedoms of the road and the screen, revealing to us the infrastructures that shape the landscape and perpetuate state narratives of productivity, ownership and control.